Poems (1 Viewer)

Sy123

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Post good poems here for reflection!

All human beings are members of one frame,
Since all, at first, from the same essence came.
When time afflicts a limb with pain
The other limbs at rest cannot remain.
If thou feel not for other’s misery
A human being is no name for thee.


- Saadia Shirazi
 

Rhinoz8142

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Sometimes when I'm alone
I cry,
Cause I am on my own.
The tears I cry are bitter and warm.
They flow with life but take no form
I cry because my heart is torn.
I find it difficult to carry on.
If I had an ear to confiding,
I would cry among my treasured friend,
But who do you know that stops that long,
To help another carry on.
The world moves fast and it would rather pass by.
Then to stop and see what makes one cry,
So painful and sad.
And sometimes...
I cry
And no one cares about why.
 

Sy123

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THE PROGRESS OF MAN

- Rumi

First he appeared in the realm inanimate;
Thence came into the world of plants and lived
The plant-life many a year, nor called to mind
What he had been; then took the onward way
To animal existence, and once more
Remembers naught of what life vegetive,
Save when he feels himself moved with desire
Towards it in the season of sweet flowers,
As babes that seek the breast and know not why.
Again the wise Creator whom thou knowest
Uplifted him from animality
To Man's estate; and so from realm to realm
Advancing, he became intelligent,
Cunning and keen of wit, as he is now.
No memory of his past abides with him,
And from his present soul he shall be changes.
Though he is fallen asleep, God will not leave him
In this forgetfulness. Awakened, he
Will laugh to think what troublous dreams he had.
And wonder how his happy state of being
He could forget, and not perceive that all
Those pains and sorrows were the effect of sleep
And guile and vain illusion. So this world
Seems lasting, though 'tis but the sleepers' dream;
Who, when the appointed Day shall dawn, escapes
From dark imaginings that haunted him,
And turns with laughter on his phantom griefs
When he beholds his everlasting home.
 

Sy123

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THE ROAD NOT TAKEN

- Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
 

nerdasdasd

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Loneliness
Now it is Loneliness who comes at night
Instead of Sleep, to sit beside my bed.
Like a tired child I lie and wait her tread,
I watch her softly blowing out the light.
Motionless sitting, neither left or right
She turns, and weary, weary droops her head.
She, too, is old; she, too, has fought the fight.
So, with the laurel she is garlanded.

Through the sad dark the slowly ebbing tide
Breaks on a barren shore, unsatisfied.
A strange wind flows… then silence. I am fain
To turn to Loneliness, to take her hand,
Cling to her, waiting, till the barren land
Fills with the dreadful monotone of rain

Katherine Mansfield
 

nerdasdasd

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I Cry

Sometimes when I'm alone
I Cry,
Cause I am on my own.
The tears I cry are bitter and warm.
They flow with life but take no form
I Cry because my heart is torn.
I find it difficult to carry on.

If I had an ear to confiding,
I would cry among my treasured friend,
but who do you know that stops that long,
to help another carry on.


The world moves fast and it would rather pass by.
Then to stop and see what makes one cry,
so painful and sad.
And sometimes…
I Cry
and no one cares about why.

Tupac Shakur
 

BLIT2014

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Streemin

Im in the bottom streme
Which meens Im not brigth
dont like reading
cant hardly write

But all these divishns
arnt reely fair
look at the cemtery
No streemin there

Roger McGough
 

Sy123

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And still, after all this time,
The sun never says to the earth,
"You owe Me."

Look what happens with
A love like that,
It lights the Whole Sky.


― Hāfez
 

Sy123

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Streemin

Im in the bottom streme
Which meens Im not brigth
dont like reading
cant hardly write

But all these divishns
arnt reely fair
look at the cemtery
No streemin there

Roger McGough
I like this one :D
 

Smile12345

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A graphic war poem

DULCE ET DECORUM EST.

Bent double, like old beggars under sacks,
Knock-kneeds, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound’ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in this face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every hold, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

WILFRED OWEN
 

BLIT2014

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The Charge of the Light Brigade
BY ALFRED, LORD TENNYSON
I
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
“Forward, the Light Brigade!
Charge for the guns!” he said.
Into the valley of Death
Rode the six hundred.

II
“Forward, the Light Brigade!”
Was there a man dismayed?
Not though the soldier knew
Someone had blundered.
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
Into the valley of Death
Rode the six hundred.

III
Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of hell
Rode the six hundred.

IV
Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
All the world wondered.
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre stroke
Shattered and sundered.
Then they rode back, but not
Not the six hundred.

V
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell.
They that had fought so well
Came through the jaws of Death,
Back from the mouth of hell,
All that was left of them,
Left of six hundred.

VI
When can their glory fade?
O the wild charge they made!
All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
 

BLIT2014

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The Listeners

‘Is there anybody there?’ said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest’s ferny floor:
And a bird flew up out of the turret,
Above the Traveller’s head:
And he smote upon the door again a second time;
‘Is there anybody there?’ he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller’s call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
’Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:—
‘Tell them I came, and no one answered,
That I kept my word,’ he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.

BY WALTER DE LA MARE
 

buriza

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Preludes

III

You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.

― T.S. Eliot
 

Sy123

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OZYMANDIAS

- Percy Bysshe Shelley

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.
 

Schmeag

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THE SHEEP CHILD

Farm boys wild to couple
With anything with soft-wooded trees
With mounds of earth mounds
Of pine straw will keep themselves off
Animals by legends of their own:
In the hay-tunnel dark
And dung of barns, they will
Say I have heard tell

That in a museum in Atlanta
Way back in a corner somewhere
There's this thing that's only half
Sheep like a woolly baby
Pickled in alcohol because
Those things can't live his eyes
Are open but you can't stand to look
I heard from somebody who...

But this is now almost all
Gone. The boys have taken
Their own true wives in the city,
The sheep are safe in the west hill
Pasture but we who were born there
Still are not sure. Are we,
Because we remember, remembered
In the terrible dust of museums?

Merely with his eyes, the sheep-child may
Be saying saying

I am here, in my father's house.
I who am half of your world, came deeply
To my mother in the long grass
Of the west pasture, where she stood like moonlight
Listening for foxes. It was something like love
From another world that seized her
From behind, and she gave, not Iifting her head
Out of dew, without ever looking, her best
Self to that great need. Turned loose, she dipped her face
Farther into the chill of the earth, and in a sound
Of sobbing of something stumbling
Away, began, as she must do,
To carry me. I woke, dying,
In the summer sun of the hillside, with my eyes
Far more than human. I saw for a blazing moment
The great grassy world from both sides,
Man and beast in the round of their need,
And the hill wind stirred in my wool,
My hoof and my hand clasped each other,
I ate my one meal
Of milk, and died
Staring. From dark grass I came straight

To my father's house, whose dust
Whirls up in the halls for no reason
When no one comes piling deep in a hellish mild
corner,
And, through my immortal waters,
I meet the sun's grains eye
To eye, and they fail at my closet of glass.
Dead, I am most surely living
In the minds of farm boys: I am he who drives
Them like wolves from the hound bitch and calf
And from the chaste ewe in the wind.
They go into woods into bean fields they go
Deep into their known right hands. Dreaming of me,
They groan they wait they suffer
Themselves, they marry, they raise their kind.

James Dickey
 

Kiraken

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THE PROGRESS OF MAN

- Rumi

First he appeared in the realm inanimate;
Thence came into the world of plants and lived
The plant-life many a year, nor called to mind
What he had been; then took the onward way
To animal existence, and once more
Remembers naught of what life vegetive,
Save when he feels himself moved with desire
Towards it in the season of sweet flowers,
As babes that seek the breast and know not why.
Again the wise Creator whom thou knowest
Uplifted him from animality
To Man's estate; and so from realm to realm
Advancing, he became intelligent,
Cunning and keen of wit, as he is now.
No memory of his past abides with him,
And from his present soul he shall be changes.
Though he is fallen asleep, God will not leave him
In this forgetfulness. Awakened, he
Will laugh to think what troublous dreams he had.
And wonder how his happy state of being
He could forget, and not perceive that all
Those pains and sorrows were the effect of sleep
And guile and vain illusion. So this world
Seems lasting, though 'tis but the sleepers' dream;
Who, when the appointed Day shall dawn, escapes
From dark imaginings that haunted him,
And turns with laughter on his phantom griefs
When he beholds his everlasting home.
omg a rumi fan :O
 

Evertone

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Do not go gentle into that good night
Dylan Thomas, 1914 - 1953

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
 

Kiraken

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The Colorful Rose
You are not troubled with solving enigmas
O, beautiful Rose! nor do you have sublime feelings in your heart

Though you ornament the assembly, still you flower apart
In life's assembly I am not permitted such comforts

In my garden I am the complete orchestra of longing
While your life is devoid of love's passionate warmth

To pluck you from the branch is not my custom
I am not blinded by mere appearances

O, colorful rose this hand is not your tormentor
I am no callous flower picker!

I am no intern to analyze you with scientific eyes
Like a lover, I see you with nightingales' eyes

Despite your innumerable tongues, you have chosen silence
What secrets, O Rose, lie concealed in your bosom?

Like me you're a leaf from the garden of Ñër
Far from the garden I am, far from the garden we both are

You are content, but I am a scattered fragrance
Pierced by the sword of love in my quest

This turmoil within me might be a means of fulfillment
This torment, a source of illumination

My frailty might be the beginning of strength
My envy might mirror the cup of divination

My constant vigil is a world-illuminating candle
And teaches this steed, the human intellect, to gallop


Allama Iqbal
 

Schmeag

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AS ONE LISTENS TO THE RAIN

Listen to me as one listens to the rain,
not attentive, not distracted,
light footsteps, thin drizzle,
water that is air, air that is time,
the day is still leaving,
the night has yet to arrive,
figurations of mist
at the turn of the corner,
figurations of time
at the bend in this pause,
listen to me as one listens to the rain,
without listening, hear what I say
with eyes open inward, asleep
with all five senses awake,
it's raining, light footsteps, a murmur of syllables,
air and water, words with no weight:
what we are and are,
the days and years, this moment,
weightless time and heavy sorrow,
listen to me as one listens to the rain,
wet asphalt is shining,
steam rises and walks away,
night unfolds and looks at me,
you are you and your body of steam,
you and your face of night,
you and your hair, unhurried lightning,
you cross the street and enter my forehead,
footsteps of water across my eyes,
listen to me as one listens to the rain,
the asphalt's shining, you cross the street,
it is the mist, wandering in the night,
it is the night, asleep in your bed,
it is the surge of waves in your breath,
your fingers of water dampen my forehead,
your fingers of flame burn my eyes,
your fingers of air open eyelids of time,
a spring of visions and resurrections,
listen to me as one listens to the rain,
the years go by, the moments return,
do you hear the footsteps in the next room?
not here, not there: you hear them
in another time that is now,
listen to the footsteps of time,
inventor of places with no weight, nowhere,
listen to the rain running over the terrace,
the night is now more night in the grove,
lightning has nestled among the leaves,
a restless garden adrift-go in,
your shadow covers this page.

Octavio Paz
 

Kiraken

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Ode to Broken Things

Things get broken
at home
like they were pushed
by an invisible, deliberate smasher.
It's not my hands
or yours
It wasn't the girls
with their hard fingernails
or the motion of the planet.
It wasn't anything or anybody
It wasn't the wind
It wasn't the orange-colored noontime
Or night over the earth
It wasn't even the nose or the elbow
Or the hips getting bigger
or the ankle
or the air.
The plate broke, the lamp fell
All the flower pots tumbled over
one by one. That pot
which overflowed with scarlet
in the middle of October,
it got tired from all the violets
and another empty one
rolled round and round and round
all through winter
until it was only the powder
of a flowerpot,
a broken memory, shining dust.

And that clock
whose sound
was
the voice of our lives,
the secret
thread of our weeks,
which released
one by one, so many hours
for honey and silence
for so many births and jobs,
that clock also
fell
and its delicate blue guts
vibrated
among the broken glass
its wide heart
unsprung.

Life goes on grinding up
glass, wearing out clothes
making fragments
breaking down
forms
and what lasts through time
is like an island on a ship in the sea,
perishable
surrounded by dangerous fragility
by merciless waters and threats.

Let's put all our treasures together
-- the clocks, plates, cups cracked by the cold --
into a sack and carry them
to the sea
and let our possessions sink
into one alarming breaker
that sounds like a river.
May whatever breaks
be reconstructed by the sea
with the long labor of its tides.
So many useless things
which nobody broke
but which got broken anyway

Pablo Neruda
 

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