RICHARD EYRE’S 1997 FILM
• Chooses to focus almost entirely upon family dynamics and relationships. Lear is positioned at the head of the table which is a strong symbol of the family.
• The close confined sets are more like a family home than a castle. Even the few scenes shot outside are very intimate, with the camera never venturing far back from the actors.
• The performances are very emotional; the affection that Lear lavishes on his daughters prior to the love test is a testament to this.
• Lear’ power is established in Act 1, Scene 1 through his formal and rhythmic language as well as elaborate costuming which contrasts well with the dull robes worn by the other characters. When Lear feels his power slipping due to the words of Cordelia he jumps onto the table so he is looking down upon the others.
• Slowly Lear’s rooms become empty and his dress becomes almost identical to that of the Fool, accentuating his deterioration.
Hope that helps a bit.