1) What stage are you at? Writing, still
2) Estimate the % of your story that has changed since its inception.
100%
3) What is your in-class assessment mark?
Um. A 17/20... 9/10...16/20... i think, from memory. so... 42/50?
4) State the point your story is trying to make in a single sentence.
God exists in fully realised reality and awakened conscience... but must be reached individually.
5) Name the experimental or unconventional techniques and structures you have utilised in your story. i.e. thought convergence, dual narrative, flashbacks.
A creation story prologue, style similar to Virgil... flashbacks (i guess)
6) Sex.
Would be hard for things without bodies... so no.
7) Give a quick summary of your story if everything were made completely opposite and polarised.
God tries to lose Satan by ignoring the existence of gates (Charon) and Midways (Morpheus) and purposefully finds a human boy on earth to act as a doorway he doesn't need and won't use, thereby comprehending a revelation he fails to experience: That Satan exists in Dreams and is readily available to anyone, no need of a deeper understanding of lilfe. And that life is inherently ineffable... heh.
8) Setting: From the void, to a suburban street, to Morpheus dreamscape, to Charon's river (all contained in Gods subconscious) to God's conscious mind.
9) Do you have intertextuality? What real world allusions did you make?
I reference the bible, i think. And Virgil's Aeneid. And a coles shopping pamphlet.
10) Did you use any of these five words in your story: Transcend, sojourn, melancholy, conjugal, insipid. Nope. None. Not yet.
2) Estimate the % of your story that has changed since its inception.
100%
3) What is your in-class assessment mark?
Um. A 17/20... 9/10...16/20... i think, from memory. so... 42/50?
4) State the point your story is trying to make in a single sentence.
God exists in fully realised reality and awakened conscience... but must be reached individually.
5) Name the experimental or unconventional techniques and structures you have utilised in your story. i.e. thought convergence, dual narrative, flashbacks.
A creation story prologue, style similar to Virgil... flashbacks (i guess)
6) Sex.
Would be hard for things without bodies... so no.
7) Give a quick summary of your story if everything were made completely opposite and polarised.
God tries to lose Satan by ignoring the existence of gates (Charon) and Midways (Morpheus) and purposefully finds a human boy on earth to act as a doorway he doesn't need and won't use, thereby comprehending a revelation he fails to experience: That Satan exists in Dreams and is readily available to anyone, no need of a deeper understanding of lilfe. And that life is inherently ineffable... heh.
8) Setting: From the void, to a suburban street, to Morpheus dreamscape, to Charon's river (all contained in Gods subconscious) to God's conscious mind.
9) Do you have intertextuality? What real world allusions did you make?
I reference the bible, i think. And Virgil's Aeneid. And a coles shopping pamphlet.
10) Did you use any of these five words in your story: Transcend, sojourn, melancholy, conjugal, insipid. Nope. None. Not yet.