I decided to read through the two poets work and see what the newest crop of poetic kiddies are doing. I wasn't surprised. That's not an insult, just something I've observed over the past two-three years of reading local teenagers work. The formatting thing kind of detracted from the read in places for both of you. That was the least surprising aspect of both of your works. Unfortunately it's something that a lot of people are experimenting with at the moment and overdosing on it can overshadow some of the meaning of your poetry at hand. Either way, I'll let you both know what I thought of your work.
holden4ever89:
"Test Drive" confused me.
Wouldn't have minded longer line breaks for "Possession", there was something lost in the disconnection of the short lines.
I liked "Fetch a Moonlight Beat" but I wish it was just left aligned. That poem would've worked fine like that, the shape didn't really do that much.
"Cruise Control, Paraphernalia" - hated the capitals, they were a blight on the page. Just didn't work to create anything at all in that piece. Loved the couplet ending however.
I really enjoyed "Mary’s Poppin Pills" The conversational tone worked particularly well in that piece.
"I would have answered your letter sooner, but you didn’t send one" best title in the piece. Some of the imagery in that piece falls a little flat: "where we lay like fallen angels" and the color accumulation didn't quite work but again your ending seems to save the poem a little.
"Petrol gauge eating ‘E’" only piece where the formatting did work but because you had used so much previously it doesn't stand out as much as it should. Didn't like how the title was a line from the poem but I never do. "The ebony street," - didn't work.
"Cleo’s Non-Arrival " I wanted a better title for something so short, something more elaborate and telling. Extraordinarily iffy about the bolded, bracketed section at the bottom. The succinct poem worked well by itself.
"Log-in" was the one of the most original contemporary poems that I've read in a while. It worked well but uust quit with the formatting there.
"NRMA" was cute, acrostic poem used for something quirky.
"Phone Voice Message No.1 " almost too simplistic, it felt empty. Just a line or two more, a phrase of something heavier would've lent itself to this.
"000" ending is great but the previous conversation isn't quite meshed together as well as it could be. Cleo is too poetic, the operator too statically real.
I like the ending but would've much preferred it as a static, two line couplet to be blank and bland because the words say so much more.
Finally, you use too much EE Cummings referencing. Not in a bad way but I wish kids would read someone else and love them too.
Amez...: ... can I come back to you? I will though. I promise. I just need another half hour of reading time to read through the whole piece.